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FAQs
What's
required to sign up for your programming service?
Annual agreement with a
30-day written cancellation after the first 90 days. Cash
plus some barter. Very competitive, call for price
detail and quote.
We manage the music,
playlists and other elements remotely with the least amount
of time required for your staff.
A dedicated or shared
networked PC is needed for loading playlists and accessing
music. Initially, all our music is delivered on an external
hard drive.
A Broadband connection is
needed for upload/download capability.
Weekly special programs such
as Gospel Jazz or weekly versions of Jazz Lovers require the
ability to download large files from the Web.
Our weekly shows are one to
three hours in length and available for a small fee plus two
minutes of commercial time per hour.
Services are provided on a
"cash only" basis. Call for rates.
How is your music
selected?
Our music selection is based
on several criteria including: flow, style, tempo,
familiarity, artists, and most importantly, "listenability".
We choose music that "wears" well... that is, it needs to
provide the most TSL [Time Spent Listening].
Multiple playlist rotations
are created to maximize variety, daypart, adequate
separation of songs and artists... so that listener
satisfaction is always primary.
What is your
programming philosophy?
First of all, our
specialty and passion is jazz. We love it's variety of
styles, rhythms, artists and the feeling of joy and artistic
expression it presents.
We base our overall philosophy on the
idea that there are four kinds of jazz:
1)
"Live Jazz":
The kind of jazz that features the impromptu, spontaneous
solos... which we find too intrusive and difficult
for listeners to follow so we tend to avoid long, extremely impromptu jazz
recordings.
2)
Contemporary or Smooth Jazz:
We avoid this kind of jazz, because of mostly unfamiliar
or unidentifiable songs, the lack of variety and the
repetitive nature of the arrangements.
3)
Classic Jazz:
This is the jazz that goes back to the 40's, 50's and 60's.
We avoid
playing many of these classic recordings, because they
just don't meet the standard of sound quality that today's radios and
audio systems demand. However, we DO play updated versions of many
of these classic tunes.
4)
What do we play?
Our jazz has to sound familiar, be listenable, with tunes
that swing and ballads that have a compelling
presentation. And, we play many of the classic tunes where
the melody is identifiable, the recording is technically
acceptable and the arrangement is very listenable. We
believe that the Great American Songbook, Broadway show
tunes and motion picture soundtrack songs provide the
greatest sources that give our jazz its special blend.
Who are your core
artists for your 24-hour format?
Our featured artists can change
based on new music that comes into the rotation, but mainly
the core artists include:
Piano
Beegie
Adair, Bill Charlap, Alan Broadbent, Bill Evans, Ralph
Sharon, Gene Harris, Marian McPartland
Trumpet,
sax, flute
Chris
Botti, Holly Hoffman, Stan Getz, Paul Desmond, Houston
Person, Terrell Stafford, Eric Alexander
Vibes
Gary
Burton, Steven Nelson, Mike Mainieri, Steve Hobbs.
Guitar
Russell
Malone, Bucky Pizzarelli, Chris Flory, Frank Vignola,
Charlie Byrd, Earl Klugh, Martin Taylor
Vocalists
Diana
Krall, Karrin Allyson, Natalie Cole, Robin McElhatten,
Patti Austin, Susannah McCorkle, Steve Tyrell, Michael
Buble, Bobby Caldwell, Tony Bennett, Mel Torme